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Classic Camera Contest  

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"Where I live"

The contest was run winter of 2005 I received entries from around the world, by vintage (pre 1970) camera users using all types of cameras. It's amazing the creativity that is shown and the information that can be passed along. I think we were all winners in this contest but we do have a few stand outs. I left the pictures in order and placed the names next to the images along with ribbons.

1st Place  "Birch Sky" - Mihai Costea - Pentax Spotmatic

2nd Place "Tromostovje Bridges" -  Miha Steinburcher - Exakta Varex IIb

Honorable Mention's "Big Sky over Moon" -  Andrea Ingram - Brownie 620

                               " Tree Hole Barn" -  Dean Williams - Yashicamat EM

 

From the Photo.net Classic Camera Forum - Started by Gene M           Link to     Classic Cameras (pre-1970) Forum

-- Gene M. is the one that started this and is also  putting up the prize. Click on the link      "The Prize"

Rules: See last page

Click on thumbs to enlarge

1) "Lisbon I"

My personal web site http://www.carlosborges.com

 

Camera – Leica IIIF rd/st from 1956

Lens – Leitz Summaron 35mm f:3.5 from 1950

Film – Old Tri-x rated at 1600 asa

Location – Lisbon - Portugal

 

2) Lisbon II

My personal web site http://www.carlosborges.com

 

Camera – Kodak Retina IIIc from ‘50s

Lens – Schneider Xenon 50mm f:2

Film – Ilford HP5

Location – Lisbon - Portugal

 

3) Lisbon III

My personal web site http://www.carlosborges.com

 

Camera – Zeiss Ikon Super Ikonta 532/16

Lens – Carl Zeiss Tessar 80mm f:2.8 (uncoated)

Film – New Tri-X

Location – Lisbon - Portugal

 

4) "The Short Days"

We live in Rauenhahn, Germany a very small village in Westerwald (the "Western Forest") on a plateau on the right side of the Rhine some 40km south of Bonn and 130km north of Frankfurt. It is an area of gently rolling hills and woods

#4,5,6 Ezio Bonsignore

Taken at dusk during a walk in the woods, about one hour from home.

Super Ikonta III with Tessar 75mm 1:2,8, Agfa RSX-II 100 ASA, 1/15 at f=4, hand-held.

5) "Cold Evening"

The photos were all taken with slide film and scanned with a flatbed scanner.

 Ezio Bonsignore

Shot directly over my garden's fence as ice fog was setting in.

Nikon FTn, Nikkor 50mm 1:1.4, Kodak Ektakrome Elite II 100 ASA, 1/30 at f:5,6, tripod and cable release.

6) "Snow Storm A-Coming"

 Ezio Bonsignore Voigtlδnder Prominent, Ultron 50mm 1:2, Kodak Ektakrome Elite II 100 ASA, 1/125 F=4????

Shot some 500m from home.

 Exposure data are estimated, because these particular light conditions only lasted for a couple of minutes before the clouds covered the setting sun and I was bracketing like a crazy (I invested nearly an entire roll in this photo)

7) "Apple Tree and Tractor"

Matthew Currie

Benson, VT

Leica IIIb, in this case sporting a Rodenstock Heligon 35/2.8 lens from about 1951 and a Tewa Polyfocus finder. The film was suitably expired TriX, rated at 400 and developed at a local lab and scanned by me on a Coolscan IV.  The outdoor shot was done at about F11. It's what I see from my back door.

8) "Red Arch"

                                                  Debin Zhang

 

Zeiss 524/16   

Ming Tomb of Emperor Hongwu in Nanjing China Spring festival. f/8 at 1/50.Fujicolor Superia 100

 

 

9) "Silo"

I live in a small farming community in central Michigan. The grain elevator is the most prominent business in our village. This is the most un-cluttered part of the structure I could find. I like the way the rust on the silo adds a certain texture to the scene.

Dave Leonard

 

 

1959 Mamiyaflex with 80mm f=2.8 lens. Recovered in forest green leather.

Exposure was f=8 1/250 sec. Film was Fuji Superia100

 

10) "No Life Guard"

 Lake Ontario in the "Beaches" district of Toronto, Ontario two weeks ago. I guess the parks and rec department decided to leave the 'no lifequard on duty' sign just in case some crazy canucks decided to go for a dip in Lake Ontario in mid February...

Ken Ng

 

pre-war (circa 1935-1937) Super Ikonta B 6x6 folding rangefinder (coupled) (model 530/16) w/ uncoated Tessar 80/2.8 with a Compur Rapid shutter... Picture was exposed at f8 or f11 at approximately 1/250 on Agfa RSX 100 colour transparency film... corrected in PS for approx. one stop overexposure...Although I've been tempted to sell it, whenever I take it out to use, I'm reminded of why it will never be sold... it's still a pleasure to use...

11) "Kansas City West Bottoms"

Chris Pandino

Kodak Brownie Six-20, ca. 1934-1942.  Meniscus lens in rotary shutter.  Takes 6x9cm photos on 620 film.  Taken on Kodak Tri-X, f/16 through a polarizing filter.  Developed in HC-110B.  Printed on Ilford MGIV RC with #4 contrast filter.  Scanned on UMAX flatbed..

12) "Train Bridge"

Chris Pandino

 Zeiss Tenax Automatic, ca 1960-1963.  Zeiss Tessar 50mm f/2.8 lens in Prontormat-S shutter. Taken on Kodak Technical Pan at EI25, f/11 for 1/10s.  Developed in Technidol for 7 min.  Scanned with HP S20.Train Bridge over the Missouri River into Downtown Kansas City, Burlington Northern-Santa Fe Railway

13) "Kansas City Cold Storage"

Chris Pandino

 Graflex Pacemaker Crown Graphic, ca. 1947-1955.  Graflex Optar 135mm f/4.5 lens in Graphex shutter.  Takes 4x5in photos on sheet film. Taken on Ilford HP5+ at EI400, f/22 for 1/25s using a red Cokin filter.  Developed in Unicolor drum 9min in HC-110H. Printed on Ilford MGIV RC with #2 contrast filter.  Scanned on UMAX flatbed.

 

14) "Windmill"

It's not so much "where I'm from" rather "where I am"!

 

The shot was taken north of Amsterdam

 

Paul Headland

 

 

Zeh Zeca, exact age unknown but originated somewhere in the '30s (1937) I suspect. 135mm Schneider & Co. Kreuznach Zecanar Anastigmat f4.5 Exposure: 1/10s @f22, Maco UP100Plus 9x12cm, 1cm front rise commercially processed. Scanner: Epson 3170, so I had to scan the negative in two halves and stitch together. This is only the second shot I've ever taken with sheet film and this camera.

15) "Old Mill"

 Andrea Ingram

Kodak Retinette 017.

Efke 25

This is, or at least was the main mill in my village near Manchester UK. Now it has been split up into small business units and a bit run down. A great area for pictures as it's down adjacent to the river and the canal. Shoot with yellow Coken held in front of lens.

 

16)  "Big Sky over Moor"

Honorable Mention

Andrea Ingram

Brownie 620

 Film. Orwo 100.Developed in Tmax

 Note; A couple of miles from my abode is this winding road moving out over the moor. Was a bright if threatening day. Shoot with yellow Coken held in front of lens.

17) "Home Patch"

Donald Qualls

Ansco Shur-Shot Jr. (cardboard box camera, recent prize from Gene M.'s impromptu contest to give the history of one shot on a roll of found film), fixed/simple everything (approximately f/22, 1/25, hyperfocal); J&C Pro 100, HC-110 G (68 F, 23 minutes, agitation 10-15 seconds every 3rd minute), scan from negative.

18) "Oak trees, fallen leaves, and the dead end"

Donald Qualls

Moskva-5, Industar 24 105/3.5 (coated Tessar-type lens), T-Max 400 (6x9 cm on 120), HC-110 G (68 F, 19 minutes, agitation 10-15 seconds every 3rd minute), scanned from negative.  Hand held, appr. f/11 at 1/250

 

19) "Trees in the distance"

Where I live is in the photo, but not the house in the foreground! Mine is in the trees in the distance. This is the only other house within about a mile of mine. This house was probably built around 110 years ago, but nobody has lived in it for at least 50 or 60 years.  The man who built and first lived in it was the son of the man who built and first lived in my house.

Todd Goodheart

Camera: Braun Paxette, ca. 1953 with Staeble-Kata 45mm f/2.8 lens and Pronto Shutter. Exposure: 1/50th f/11

Film: AgfaPan APX100 developed in HC-110 dil. B, 7 minutes.  Scanned from negative on a CanoScan D1230U flatbed scanner with film attachment.

     

Too many pictures on one page had to add more so the down load to you would not be too slow.

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l Images are the copyrighted © property of David Richert  please contact me for any usage.